The dance form from Chhattisgarh is performed by boys after the harvest season. This stick-dance involves the boys who move in various styles as they strike their stick against the stick of the person standing next to them. The people who participate in the dance are given paddy by the villagers as a sign of gratitude. The climax of this unique dance form is usually a Snake Dance!

Typically performed by innate gatherings like Gonds, the Baigas and Oraons in Chhattisgarh. This move structure denotes the finish of stormy season and the coming of spring!

It is typically called as Parrot move and is performed during the occasion of Goura Marriage! It is a run of the mill kind of development related to cherish. The performers sing and move around, joined by noisy types of applauding.

It is the dull steed of Chhattisgarh Folk Dance! It depicts the record of Pandavas - the primary characters of an epic fight. Teejan Bai of Chhattisgarh is one of the most celebrated Pandvani entertainers, she has different honors like Padma Shri, Padma Bhushan and so forth.

Panthi Dance is one of the most significant types of people who move to this area. An unmistakable custom of the Satnami people group of Chhattisgarh. The people group commends the birth commemoration of Guru Ghasidas on Maghi Purnima. The rich social legacy and conventional inheritances of the ancestral gatherings of the Durg locale is plainly portrayed through this move structure. The move consolidates an assortment of steps and designs and ordinarily means the lessons and truisms of their heavenly educator.

It is also known as the Folk move of Cow crowds! The cowherds of Chhattisgarh are the fundamental specialists of Raut Nacha. The Yadava/Yaduvanshi, a standing of Chhattisgarh believe themselves to be relatives of Krishna. The scenes portray the savage battle between King Khansa and the cowherds of that territory. The Yadavs or the cowherds speak to great with Lord Krishna as their god-like. Raut Nacha strengthens the deep-rooted truth of the triumph of good over fiendishness. As indicated by the Hindu schedule, it is commended on the eleventh day after Diwali.

A lesser realized move structure, its extreme to order it as a set move structure because of absence of a fixed example. 

A Halloween like custom, it is played by the children in the Bastar area. As the sun sets in, the children are altogether spruced up in clothes and destroyed ensembles. Their faces become nothing not exactly a canvas with chalk, coal and powdered rangoli spread over it.

They move around aimlessly before every one of the houses in the town after which they are offered proportion as hint of appreciation for the move and indeed, there is a festival by the children with similar things gathered! Its actual effect must be believed to be experienced!

Of all the dance forms, this one is unadulterated fun. The artists are mounted on two long bamboo or simply any firm sticks and move through the horde of other Gendi (sticks) ridden artists. Pounding on the ground, keeping up astounding equalization as they influence to the inborn acoustics and percussions - this is one astonishing people move which has figured out how to keep it's convention alive.

Dance, similar to what they say is the statement of the human soul.A similar type of articulation is in full showcase in Chhattisgarh and is obvious from the rich social legacy of the state!